I have fallen in love with my new backyard neighbor:
A big hanging nasturtium.
(En français, capucine. Po polsku, Nasturcya)
Each day it grows new buds & blossoms.
There are at least 45 at this moment!
This was not my usual very quick sketching.
Slower, more left brain consciously accurate.
I chose only one part of the abundant plant~ a vignette.
You might call this a study-sketch.
I used pencil, even erasing & re-drawing.
I was deepening my understanding of individual blossoms & leaves
and how they related to one another.
My eyes were feasting on the colors.
By the time I finished the sketch, a gentle rain had fallen,
and configurations had changed.
I started with a preliminary contour sketch to help me focus.
I knew I couldn't draw the whole plant.
The contour in ink was the introduction, a greeting.
My gaze danced in & around blossoms & leaves,
getting a feel for rhythms, lines & forms.
While painting, I absent-mindedly tried out some colors
on this page as it was the nearest paper in sight.
And near the bottom, I seem to have been exploring
some initial lines of nearby lupines.
The wonderful effect of drawing,
beside the visual & tactile pleasure,
is the concentration, the focus, the calm that occurs in me.
I always go back to my early guiding principle,
as presented by Frederick Frank, The Zen of Seeing:
Seeing/Drawing as Meditation, back in the early 70's.
some initial lines of nearby lupines.
The wonderful effect of drawing,
beside the visual & tactile pleasure,
is the concentration, the focus, the calm that occurs in me.
I always go back to my early guiding principle,
as presented by Frederick Frank, The Zen of Seeing:
Seeing/Drawing as Meditation, back in the early 70's.